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computer-theater

the plays and a reading room · ongoing

Computer Theater

Computer theater is live performance made with computers. The computer can be the set, the projection system, a scene partner, or the thing writing the script.

It has no single origin. Four histories feed into it: theater makers who broke the form open, artists who connected their bodies to networks, directors who brought cameras and screens onstage, and artists who treat the computer screen as the stage.

Some people call this algorithmic theater, Annie Dorsen’s term for shows where an algorithm writes or steers the performance. Computer theater is the wider name. It covers that, and everything from Piscator’s projectors to a browser performed live.

the-plays/how-to-make-a-baby

01
How to Make a Baby at tiat: Halim performs at the microphone while his own face is projected large behind him. The title card HOW TO MAKE A BABY projected over the stage at tiat, Halim at the microphone and the audience in the foreground. Halim raises a hand at the end of How to Make a Baby as the credits scroll on the projection behind him.

how to make a baby, tiat

How to Make a Baby

Jul 25, '26 · tiat, San Francisco

A participatory computer theater performance set in 2036. Prop 43 wants the childfree taxed to fund elder care; a visionary founder arrives with a solution, hidden motives, and a contract for everyone in the room. Nobody watches from outside: the audience argues, votes, signs, and the play ends however the room decides. Premiered at tiat, San Francisco, July 25, 2026; re-performed with Ana María Caballero that August.

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the-plays/become-everyone

02
Nineteen folders open on a dark desktop, projected across two screens.

I've Always Wanted to Become Everyone

Apr '26 · CultureHub, Los Angeles

Nineteen folders on a dark desktop, projected on two screens. The audience opens them, and a yellow physarum mold grows between whatever they choose to see.

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the-plays/borderline

03
Borderline in performance: a body on stage against projected code.

Borderline

Dec '24 - Jan '25 · San Francisco

A full-body multimedia poem about borders, queerness, and the architecture of belonging. Arabic zajal, projected code, and a body on stage negotiating all of it at once.

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the-plays/invasions

04
Invasions in performance: a body at work in a projected room.

Invasions

Jun '22 - Apr '24 · San Francisco, Los Angeles, CDMX, Santa Barbara, Ojai

Performance piece exploring scam, intrusion, and intimacy.

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chronology/

17 works

Everything performed, 2014 onward

The full ledger.

I've Always Wanted to Become Everyone Apr 8 and 25, '26 San Francisco · Los Angeles 2026

A sneak-peek reading at TIAT, San Francisco, on April 8, then the premiere at CultureHub LA on April 25.

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Era Puck Mar 2026 2026

The Era puck became the BCI in the play.

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How to Make a Baby Jul 25, 2026 TIAT, San Francisco 2026

A participatory computer theater performance set in 2036: Prop 43 wants the childfree taxed to fund elder care, and a visionary founder arrives with a solution, hidden motives, and an invitation for everyone - including the audience.

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A Night of Computational Theater Aug 21, 2026 tiat, San Francisco 2026

An open mic of computational theater and desktop performance, hosted and curated by Halim Madi with the computational poetry reading group at tiat.

the listing ↗
Techno Retro Poetics Aug 11, 2026 tiat, San Francisco 2026

Two poets, analog and multimedia readings: Ana María Caballero reading from her new book Material, and Halim Madi performing with web artifacts and the models he fine-tunes.

the listing ↗
We Called Us Poetry Jun '25 Toronto 2025

Interactive performance and computational poem on AI as god vs apocalypse.

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Future v. May '25 Online 2025

A browser piece that opens as three walls of punctuation you drag and fuse - a hub disguised as a blank page, each character a doorway.

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Feed It May '25 Seoul, South Korea 2025

A durational AI-body performance where audience answers shape a real-time generative portrait.

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I Live Here Apr '25 San Francisco, CA, USA 2025

A walking poem through San Francisco's Tenderloin, mapping queer nightlife from Beirut to the Bay.

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Square, Powder, Claw Feb 23 SF 2025

A triptych on boyhood performed at tiat #10 (the intersection of art & technology), Internet Archive, San Francisco.

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We Made It Dec 5-14 San Francisco 2024

Performance at Counterpulse, San Francisco - The Happy Endings Show.

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Borderline Dec '24 - Jan '25 San Francisco, CA, USA 2024

A full-body multimedia poem about borders, queerness, and the architecture of belonging.

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Happy Endings Show Sep 10 SF 2024

Make Out Room.

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Algorithm's Embrace Jun '24 San Francisco, CA, USA 2024

Performance.

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Deserve It Dec '23 - Nov '24 San Francisco, CA, USA 2023

A durational immigration performance - a fictional visa form that scrambles your answers into poetry.

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Invasions Jun '22 - Apr '24 San Francisco, Los Angeles, CDMX, Santa Barbara, Ojai 2022

Performance piece exploring scam, intrusion, and intimacy.

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Avenir Mar '15 - Sep '17 Paris, Sao Paulo 2015

A series of site-specific interventions exploring futures, migration, and the politics of public space.

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dispatches/

3 pieces

reading-room/

4 rooms

enquire.txt

front desk

Commissions and touring

The plays travel and new ones get commissioned. Write to me about a run at your venue, a play built for your room, or a night of computer theater with your audience.

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