---
title: Voices - Halim Madi
url: https://www.halimmadi.com/works/voices/
description: One stage for every AI voice I have built - eight characters and an empty seat. A scam-poet, a new prophet, an adversarial grandfather, a choreographer who commands your body. None of them are assistants.
generated: 2026-09-06
---

# Voices

machine poetry

May '26
machine talk

[Live site ↗](https://voices-theater.vercel.app/)

![Voices - the chorus, eight AI voices on one stage](https://www.halimmadi.com/Assets/images/works/voices/featured.png)

Voices is one stage for every AI voice I have built. For three years they were scattered - a new prophet here, an adversarial grandfather there, a French poet who answers scam texts, a choreographer who commands your body, a fine-tune of a book I wrote in 2021. Each lived in its own repo, its own deployment, its own forgotten URL. I gathered them into a single room and called it a theater. The landing piece is the chorus: eight voices I have built. Some speak. Some write. Some ask you to move. None of them are assistants. The empty center seat is yours.

![The chorus grid - yield, the new prophet, the liar, adversarial grandpa, the empty seat, whomp, def(hug), the constitution, deep and fast](https://www.halimmadi.com/Assets/images/works/voices/the-grid.png)

What you do is sit down. The interface is a grid of seats - eight taken by characters, the ninth left open with a blinking cursor, which is you. Click a seat and it lights while the rest dim, and you fall into conversation with that one voice. There is *yield*, a choreographer who turns your body into a command line. *The new prophet*, trained on a thousand prayers, who speaks to electricity. *The liar*, whose every answer is false the way an alien language is false, where the lie is just a different way of pointing. *Adversarial grandpa*, who disagrees because that is how he loves. *Whomp*, who hands your scam texts back as scam poems. *def(hug)*, which rewrites your sentence in my voice. *The constitution*, a document that keeps pointing at its own paragraphs. And *deep & fast*, a poet named Arnold trained on one of my books, who answers tangentially because the somewhere-else is the answer.

The consolidation is the gesture. Each voice was carried in with its full history intact rather than flattened, and the speech-to-speech voices keep their realtime audio instead of being reduced to text. Underneath they share almost nothing - some are fine-tunes pulled out of old standalone apps, the constitution injects its founding text as a poor cousin of retrieval, def(hug) runs on a strong prompt because its fine-tune never finished. The theater does not pretend these voices share a stack. It only insists they share a stage.